How can I earn a living being a professional wrestler?
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Stock Reply: I promise that Iâm going to give you an answer, and I kê§now itâs rude, but Iâm going to respond with a question of my own: what do you have đŠto do at any job in order to make enough money at it to provide for yourself?
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Advice Seeker: Show up?
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Me: Yes. What else?
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Advice Seeker: Actually do the work.
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Me: Yes. And how long do you usually have to work to eaâ±rn enough moneyêŠ to live off of?
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Advice Seeker: Usually, at least, 8 hours a day, 5 days a week.
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Me: Right. Do you think if you spđent a minimum of 40 hours a week working tođ earn a living as a professional wrestler, that you would be able to?
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Advice Seeker: Yes...but itâs hardâŠ
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Me: Yes. Yes, it is.
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Stock Summarized Answer: You earn ê§a living as a wrestler the same way you earn a living anywhere đ °else: by clocking enough hours, by dedicating enough time and effort into it.
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Really want to go for it? Save up just enough money to quá©á©á©á©á©á©â€â€â€â€á©â€â€â€â€á©â€â€â€â€á©đ±á©á©á©it your day job and be able to just survive for oneđ month.
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During that month, spend a đœminimal 40 hours a week studying wrestling matches, studying wrestling marketing, studying wrestling interviews, producing wrestling mđ§atches, producing wrestling products, producing wrestling promos. Want to earn more? Easy: work overtime.
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A Breakdown:
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I.) Study wrestling matches - Start by compiling a list of your favorite wrestlingàč matches of All-Time. Donât limit yourself, lđ°ist them all. Then, watch them once with the intention to strictly enjoy them as a fan. Ask yourself: what was so entertaining about that match? Watch it again, and try to answer that question. Write down all of your answers. Then ask yourself can I learn how to do that. If you think you can, Write down how you think you should be able to do that.
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Example:
Rey Mysterio Jr. vs Eddie Guerrero
Halloween Havoc 1997
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1. Pacing - PRACTICE movđČing fast when itâs time to move fast, PRACTICE moving slow when itâsđ time to move slow.
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2. Creativity - PRACTICE comiđŠ©ng up with new ways to do things, even if thêŠey donât work (see FAQ 1: How So Creative).
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3. Charisma - FIGURE OUT just what in the f*** charisma actually is - clearly define iđt - then figure out if itâs something I can actually learn througâh PRACTICE.
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4. Crowd Reaction - Try to FIGURE OUT  exactly the who, what, where, when and how of the crowdâs reaction. BđŠooing? Who, what, where, when, why? Cheering? Who, what, wheêŠre, when, why? Chanting...(You get the idea, right?)
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5. Investment In The Outcome - FIGURE OUT exactly why you, or the crđowd, give more that zero sh**s about who wins the match. Ask yourself: are there ways I can PRACTICE making myself the person that an audience member might give more than zero sh**s if I win or lose?
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6. Moves - FIGURE OUT exactly how the moves are executed; watch in slow motion, break it down into steps, PRACTICE until itâs muscle memory, then, FIGURE OUT exactly when and why the moves moved you. PđRACTICE executing maneuvers at very specific times for very specific reasons.
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7. - â) Etc.
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Once you have gone through all your favođ„rite matches, do a Google search to the effect of âGreatest Professional Wrestling Matches All Timeâ, and start watching and studying EveryoneđŒ-elseâs favorite matches.
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Write down the Bold Words on your phone or a piece of scrap-paper, as a cheat-sheet, and when itđâs time to practice and perform, use it as a preparatory checklist. Integrate the lessons you want to learn, so têŠhey seem to become second-nature-easy.
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II. ) Studying Wrestling Marketing - THINK about what đŻwrestling merchandise  you have bought throughout your life, and ask yourseâlf the whos, whys, whens, how-muches, and from-wheres. LOOK at the top-selling merchandise of all time.
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Ask yourselđf: can I create something like what I would have bought, as a fan?
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PRACTICE𧞠learning graphic deêŠsign or learning how to deal with graphic designers.
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STUDY how products are marketed to you. Ask yourself: are there free or đcheap ways I can get started marketing myself and my products?
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STUDY the basic mathematics of profit. Example:â A: how much do 8x10s cost to produce (if you donât know, ask someone who does)? B: how much can I sell them for? B (asking price) - (subtracted by) A (productiđon cost) = C: profit. Â
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STUDY sđuccessful merchandise tables. Ask yourself: is there a reason iàŒștâs set up the way it is?
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PRACTICE being genuinely friendly to, and grateful for, wrestling fans. (You could also practice beingàč a hard-salesperson, that is to say: talking people into buying things that they donât necessarily wanđ°t, if you want to feel icky inside, that is. I donât recommend it, but to each their own.)
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STUDY other wàČrestlerâs online sales-pitches and wrestlemerch stores. Ask yourself: how can I sell my products online?
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III.) Study Wrestling Interviews - Ask yourself: are there any âpromosâ that defy the decay of time and are crystal clear in my mind? As with matches, study your favorites first, then, the consensuá©á©á©á©á©á©â€â€â€â€á©â€â€â€â€á©â€â€â€â€á©đ±á©á©á©s All-time greats, asking yourself the whos, whats, hows, wheres, whens,êŠ and whys.
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EXAMPLE:
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Dusty Rhodes âHard Timesâ
Mid-Atlantic Wrestling 1985
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Framing: Ask yourself: where does Dusty stand? Why? How does he stand? Why? PRACđTICE putting (or picturing) yourself in a camera shot, exactly where and how Dusty is sđtanding.
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Content: Ask yourself: what is the purposêŠe, or story, ofđž this interview? PRACTICE talking with a specific purpose in mind and breaking down emotionally-charged stories in a short time frame.
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Cadence: Ask yourself: what does the rhythm of Duđ styâs voice sound like? Why does he talk like that? Why does it resonate with me? PRACTICE talking in a specific rhythm.
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Delivery: Ask yourself: how is his body language, his tone, his eye contact. PRACTICE using different postures, varying volumes and pitches, and focusing on when and how long you look directly at the camera and possible intđerviewer.
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Wording: ê§Ask yourself: what types of words is he using? Why? PRACTICE adjusting your choice of words to better fit the cadence, to be better understood, to drive home the pođint stronger, to make it shorter or stretch it out, etc.
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ETC.
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*Ahem* Write down the Bold Words on your phone or a piece of scrap-paper, as a cheat-sheet, and when itâs time to practice and perform, use it as âša preparatory checklist. Integrate the lessons you want to learn, so they seem to become second-nature-easy.
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IV-a.) Produce Wrestling Matches (Quantity) - Ask yourself: could I be wrestling àœ§more often? How? Make a list of questions to ask yourself, to see if you may be able to practice your chosen craft at an acâcelerated rate.
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Example:
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Look for places to wrestle - Are there training schools near me? Can I show up to events earlier for extra ring time? Can I message more promoters asking for opportunities (even if itâs just the opportunity to help set up the ring - see Whatever It Takes: An Interview With Tony Givens)? Are there wrestlers from my area that I can contact đand ask to ride to events with? Etc.
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IV-b.) Produce Wrestling Matches (Quality) - Ask yourself: could I be improving quicker? Hođw? Make a list of questions to ask yourself, to see if you may be able to make strides at your chosen craft at an acceđlerated rate.
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Example:
Look for wrestlecoaches - Are there people around me that I can learn from? Am I in a position to ask them for advice? Are there people online that might be willing to take the time to answer my questions, offer me freeđ advice? Would it hurt to ask matchmakers to put me in the ring with people I can learn from? Would it hurt to ask people who know more about wrestling to help me prepare for my matches? Etc.
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Write down the lessons you ï·œlearn, make them into cheat-sheetsđ for next time.
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If yđou can: be creative; find your own in-ring style. If you canât: steal wisely and widely. Â Â
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V.) Produce Wrestling Products - Notice whatđČ other wrestlers are selling. Ask yourself: can I afford to produce those products. Can I afford not to produce products? It may be beneficial to start with the cheapest/highest-profit items, but remember the adage: you have to spend money to make money. I have found it very true. Make a list of products to sell and questions about how you may go about producing them.
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Example:
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8x10s - Do I know any good photographers that would take pictures of me for cheap or free? Any graphic designers to make them look pretty? Am I competent enough to do it myself? How can I get the pictures printed for the best rate? Are there wrestlers that I am đœin a position to ask for advice about this on? How much is my likeness and autograph worth to a fan, at the current stage of my career?
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T-shirts - Do I have anything that I believe I could print on a shirt that wouldâ inspire people to part with their hard earned money? Can I make the design myself? Graphic designers, if not? How much is my idea worth? How can I get shirts at the best price? Veterans I can ask?
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Etc.
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Learn to keep a ledger, so you know exactly how much money you are makinâ±g or losing. Learn the basic business concepts of Return On Investment, Gross Profit, and Net Profit. Â Â
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If đyou can: be creative; find your own marketing-hook (reason why people should be buying Your-sh**, rather than Other-sh**). If you canât: steal (marketing strategies/prodđ§uct styles) wisely and widely.  Â
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VI.) Produce Wrestling Interviews - Start doing promos for all of your matches. Check off your study lists. Start doing promos for matches you wish you were doing. Study. Watch them back. Ask wrestlefolk to watch them, ask for advice. Ask non-wrestlefolk tođ€Ș watch them, ask what they think. Ask yourself: would I want to watch me wrestle after I watched this interview? Would I want to watch this my itself just for its own inherent entertainment value? Put them up online. Pay attention to the feedback that  you get, or donât get. Ask yourself: how can I get more eyes on this? How can I get the eyes already paying attention to be more engaged? Compile lists (now that you should know how) of ideas. Experiment with those ideas. Check mark the ones that work. Strikethrough the ones that donât.
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If yđ„ou can: be creative; find your own voice. If you canât: steal wiselyđ and widely.
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***
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Well, there you have a comprehensive list designed to make it foolpđroof, a comprehensive list for you tđ o live your dream of making a living at your dream-job, or to realize that itâs not your path, and to move on. Which brings us toâŠ
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The in-depth answer: Honestly, this sh** ainât for everybody. As strange as it may seem thereâs a huge learning curve to being able to costume-combat in such a skillful way that it makes people lose themselves in a rich world of emotional investment that may stick with them for a lifetime of monetary investment. It takes a much bigger investment on your part: your time, relationships, financial stability,  and your mental, physical, and emotional health. LêŠetâs break those down into another list, shall we:
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Time - It takes a lot of ring time, travel time, and study time to get good at this. Even moređŠ© though: youâre investing years of your life. A lot of us, nowadays, start very young (I began training as a teenager), and will spend a huge chunk of our lives in cramped, sweaty locker rooms, cars, airports, planes, rings, required after-show bars. If you donât think hanging out with other wrestlers for hours and hours, renting cars and sharing them with others who may keep a different schedule than you,  dealing with airport traffic/security/delays/layovers/transfers/over priced food/anxiety-ridden lines/baggage claim/etc, cramped planes/middle-seats/limited-storage-space/etc, unforgiving, un-quality-consistent, sometimes flat-out-unsafe rings, and loud, sometimes-smokey, sometimes dangerous hangouts, all while youâre already beat up, sounds like it could be a helluvan adventure that you could enjoy the journey of, being a wrestler-for-a-living probably isnât a good dream for you pêŠursue.
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Relationships - Would you rather be spending most of your life with your family rather than all the stuff from the first paragraph? Does the idea of dealing with people who are, and will treat you (often simultaneously) as: competition, road-family (with varying family dynamics; i.e. wrestlemom/dad/bro/sis), teammates, coaches, apprentices, potential money earners, weak links (potential money losers), bridges, roadblocks, etc., sound like too mucđ€Ąh? If you answered âyesâ to either of the preceding questions: being a wrestler-for-a-living probably isnât a good dream for you to pursue.
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Financial Stability - Are you ready to haggle dollars over your health and precious moments of your finite life? Are you ready to get less than you agreed upon, and have to confront someone over it? Are you ready to invest a lot of money into ring gear, production equipment, paid-tryouts, little-money-in-exchange-for-an-opportunity gigs, road-expenses, training time, etc., without the guarantee that you will ever make that money back, let alone see a profit off it? Are you ređ€Șady to scramble to try to fill your schedule, so you (and anyone else you may be responsible for), can fill your belly (bellies)? Are you ready to invest in merchandise that may not sell? Are you ready to sit at a merch-table, knowing that itâs your best chance of seeing a dining table, while large groups of people walk past it without buying a thing? Are you ready to earn big, at times, and lose big, at other times? If you answered ânoâ to any/all of the preceding questions: being a wrestler-for-a-living probably isnât a good dream for you pursue.
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Your Mental, Physical, and Emotional health - I saved the truly-worst for last.
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Are you willing to put deep, long thought into matches, products, and promos, only to fail time after time? Are you willing to strain to understand the collective psychology of very different crowds from one night to the next, only to miss-read them time after time? Are you willing to pay close attention to the social-hierarchy and etiquette of very diffđ °erent locker rooms, only to accidently piss someone off by not grasping them perfectly, time after time? Â Â
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Are you willing to receive the impact of a low-speed car crash, every time you hit the mat? Are you willing to experience bigger crashes for more spectacular maneuvers? Are you willing to have your internal organs slam against each other, over and over again? Are you willing to receive blows to the head, over and over again? Arê§e you willing to work sick? Are you willing to sit for hours in cars and planes, while suffering from injuries comparable to car crashes? Are you willing to bleed? Are you willing to only get a few hours of sleep and be expected to have high energy levels? Are you willing to hit the gym, day in and day out, when youâre already in pain? Are you willing to risk being paralyzed? Are you willing to die for your dream? In wrestling itâs a very real possibility and it will serve you well to remember it.
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Are you willing to live with regret? Are you willing to feel lonely, isolated, hated? Are you willing to feel the low end of the high that you achieve in âšthe ring? Are you willing to deal with depression that comes with a concussion? Are you willing to deal with the sadness of rejection? Are you willing to deal with your own jealousy? Are you willing to deal with homesickness? Are you willing to deal with high stress opportunities? Are you willing to let yourself and others down? Are you willing to find it hard to be one way in the ring and another way out of it? Are you willing to deal with the relational consequences of finding it hard to âturn it offâ? Are you willing tđȘo deal with getting old in a young-personâs field? Are you willing to deal with being personally responsible for destroying someone else's health, livelihood, life? Â
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If you answered âyesâ to every single one of the preceding questions: congratulaâtions, you have the heart required for being a wrestler-for-a-living.
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Best of luck in pursuing your dream, and, please, wish me the same, my kindreds, because weâre going đŠ©to need it.
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Let us make all that hard work, pain, and riskêŠĄ worth it by making momentsđĄ, memories, and a difference, while we make a living, shall we?