How can I earn a living being a professional wrestler?
Ā
Stock Reply: Iš promise that Iām going to give you an answer, and I know itās rude, but Iām going to respond with a question of my own: what do you have to do at any job in order to make enough money at it to š¹provide for yourself?
Ā
Advice Seeker: Show up?
Ā
Me: Yes. What else?
Ā
Advice Seeker: Actually do the work.
Ā
Me: Yes. And how long do you usually have tź¦°o work to earn enough money to live off of?
Ā
Advice Seeker: Usually, at least, 8 hours a day, 5 days a week.
Ā
Me: Right. Do you think if you spent a minimum of 40 hours a week working to earn a living as a professional wrestler, that yoą¶£u wouldš¦ be able to?
Ā
Advice Seeker: Yes...but itās hardā¦
Ā
Me: Yes. Yes, it is.
Ā
Stock Summarized Answer: You earn a living as a wrestler the same waš °y you earn a living anywhere else: by clocking enough hours, by dedicating enough time and effort into it.
Ā
Really want to go for it? Save up just enough money to qušit your day job and be able to just survivš§e for one month.
Ā
Durišng that month, spend a minimal 40 hours a week studying wresš§øtling matches, studying wrestling marketing, studying wrestling interviews, producing wrestling matches, producing wrestling products, producing wrestling promos. Want to earn more? Easy: work overtime.
Ā
A Breakdown:
Ā
I.) Study wrestling matches - Start by compiling a list of your favorite wrestlā ing matches of All-Time. Donāt limit yourself, list them all. Then, watch them once with the intention to strictly enjoy them as a fan. Ask yourself: what was so entertaining about that match? Watch it again, and try to answer that question. Write down all of your answers. Then ask yourself can I learn how to do that. If you think you can, Write down how you think you should be able to do thatą¦.
Ā
Example:
Rey Mysterio Jr. vs Eddie Guerrero
Halloween Havoc 1997
Ā
1. Pacing - PRACTICE mšÆoving fast when itās time to move fast, PRACTICE moving slow when itās time to move slow.
Ā
2. Creativity š °- PRACTICE coming up with new ways to do things, even if they donāt work (see FAQ 1: How So Creative).
Ā
3. Charisma - FIGURE OUT just what in the f*** charisma actually is - clearly define it - then figure out if itź¦ŗāź©µs something I can actually learn through PRACTICE.
Ā
4. Crowd Reaction - Try to FIGURE OUT Ā exactly thź§e who, what, where, when and how of the crowdās reaction. Booing? Who, what, where, when, why? Cheering? Who, what, where, when, why? Chanting...(You geš„t the idea, right?)
Ā
5. Investment In The Outcome - FIGURE OUT exactly why you, or the crowd, give more that zero sh**s about who wins the match. Ask yourself: are there ways I can PRACTICE making myself the person that an audience member might give more thaį¦n zero sh**s if I win or lose?
Ā
6. Moves - Fš °IGURE OUT exactly how the moves are executed; watch in sloš²w motion, break it down into steps, PRACTICE until itās muscle memory, then, FIGURE OUT exactly when and why the moves moved you. PRACTICE executing maneuvers at very specific times for very specific reasons.
Ā
7. - ā) Etc.
Ā
Once you have gone through all your favorite matches, do a Google search to the effect of āGreatest Professional Wrestling Matches All Timeā, and start watching and studying Everyone-šelseās favorite matches.
Ā
Write down the Bold Words on your phone or a piece of scrap-paper, as a cheat-sheet, and when itās time to practice and perform, use it as a preparatoź¦ry checklist. Integrate the lessons you want to learn, so they seem to become second-nature-easy.
Ā
II. ) Studying Wrestling Marketing - THINK about what wrestling merchandise Ā you š¦have bought throughout your life, and ask yourself the whos, whys, whens, how-muches, and from-wheres. LOOK at the top-selling merchandise of all time.
Ā
Ask yourself: can I cšøreate something liāke what I would have bought, as a fan?
Ā
PRAź§CTICE learning graphic design or learning how to deal with graphic designers.
Ā
STUDY how products are šŖmarketed to you. Ask yourself: are there free or cheap ways I can šget started marketing myself and my products?
Ā
STUDY the basic mathematics of profit. Example: A: how muāch do 8x10s cost to produce (if you donāt know, ask someone who does)? B: how much can I sell them for? B (asking price) - (subtracted by) A (prāoduction cost) = C: profit. Ā
Ā
STUDY successful merchandise tables. Ask yourself: is there a reaš¤”son itās set up the way it is?
Ā
PRACTICE being genuinely friendly to, and grateful for, wrestling fans. (You could also practice being a hard-salesperson, that is to say: talking people into buying things thaą½§t they ādonāt necessarily want, if you want to feel icky inside, that is. I donāt recommend it, but to each their own.)
Ā
STUDY other wrestlerās online sales-pitches and wrestlemeį©į©į©į©į©į©ā¤ā¤ā¤ā¤į©ā¤ā¤ā¤ā¤į©ā¤ā¤ā¤ā¤į©š±į©į©į©rch stores. Ask yourself: how can I sell my products online?
Ā
III.)Ā Study Wrestling Interviews - Ask yourself: are there any āpromosā that defy the decay of time and are crystal clear in my mind? As with matches, sštudy yoš±ur favorites first, then, the consensus All-time greats, asking yourself the whos, whats, hows, wheres, whens, and whys.
Ā
EXAMPLE:
Ā
Dusty Rhodes āHard Timesā
Mid-Atlantic Wrestling 1985
Ā
Framing: Ask yourself: where does Dusty stand? Why? How does he stand? Why? PRACš³TICE putting (or picturing) yourself in a camera shot, exactly where and how Dusty is stš·anding.
Ā
Content: Ask yourself: what is the purpose, or story, ofšø this interview? PRACTICE talking with a specific purpose in mind and breaking down emotionally-charged stories in a short time frame.
Ā
Cadence: Ask yourself: what does the rhythm of Dustyās voice sound like? Why does he talk like that? Why does it resonate wāith me? PRACTICE talking in a specific rhythm.
Ā
Delivery: Ask yourself: how is his body language, his tone, his eye contact.š · PRACTICE using differź¦ŗent postures, varying volumes and pitches, and focusing on when and how long you look directly at the camera and possible interviewer.
Ā
Wording: Ask yourself: what types of words is he using? Why? PRāACTICE adjusting your choice of words to better fit the cadence, to be better understood, to drive home the point stronger, to make it shorter or stretch it out, etc.
Ā
ETC.
Ā
*Ahem* Write down the Bold Words on your phone or a piece of scrap-paper, as a cheaāt-sheet, and when itās time to practice and perform, use ą¹it as a preparatory checklist. Integrate the lessons you want to learn, so they seem to become second-nature-easy.
Ā
IV-a.) Produce Wrestling Matches (Quantity) - Ask yourself: could I be wrestling more often? How? Make a list of questions to ask yourself, to see if you mš¦ay be ašble to practice your chosen craft at an accelerated rate.
Ā
Example:
Ā
Look for places to wrestle - Are there training schools neš°ar me? Can I show up to events earlier for extra ring time? Can I message more promoters asking for opportunities (even if itās just the opportunity to help set up the ring - see Whatever It Takes: An Interview With Tony Givens)? Are there wrestlers from my area that I can contact and ask to ride to events with? Etc.
Ā
IV-b.) Produce Wrestling Matches (Quality) - Ask yourself: could I be improving quicker?Ā šHow? Make a list of questions to ask yourself, to see if you may be able to make strides at your chosen craft at an accelerated rate.
Ā
Example:
Look for wrestlecoaches - Are there people around me that I can learn from? Am I in a position to ask them for advice? Are there people online that might be willing to take the time to answer my questions, offer me š¦©free adviāce? Would it hurt to ask matchmakers to put me in the ring with people I can learn from? Would it hurt to ask people who know more about wrestling to help me prepare for my matches? Etc.
Ā
Write down thź¦e lessons you learn, make them into cheat-sheets for next time.
Ā
If you canąµ©: be creative; find your own in-ring style. If you canāt: steal wisely and widely. Ā Ā
Ā
V.) Produce Wrestling Products - Notice what other wrestlers are selling. Ask yourself: can I afford to produce those products. Can I afford not š °to produce products? It may be beneficial to start with the cheapest/highest-profit items, but remember the adage: you have to spend money to make money. I have found it very true. Make a list of products to ź¦sell and questions about how you may go about producing them.
Ā
Example:
Ā
8x10s - Do I know any good photographers that would take pictures of me for cheap or free? Any graphic designers to make them look pretty? Am I competent enough to šdo it myself? How can I get the pictures printed for the best rate? Are there wrestlers that I am in a position to ask fź¦or advice about this on? How much is my likeness and autograph worth to a fan, at the current stage of my career?
Ā
T-shirts - Do I have anything that I believe I could print on a shirt that would inspire people to parāt with their hard earned money? Can I make the design myself? Graphic designers, if not? How much is my idea worth? How can I get shirts at the best price? Vešterans I can ask?
Ā
Etc.
Ā
Learn to keep a ledger, so you know exactly hā±ow much monšey you are making or losing. Learn the basic business concepts of Return On Investment, Gross Profit, and Net Profit. Ā Ā
Ā
If you can: be creative; find your own marketing-hook (reason why people should be buying Yourā-sh**, rather than Other-sh**). If you canāt: steal (marketing strategies/product styles) wisely and widely.š Ā Ā
Ā
VI.) Produce Wrestling Interviews - Start doing promos for all of your matches. Check off your study lists. Start doing promos for matches you wish you were doing. Study. Watch them back. Ask wrestlefolk to watch them, ask for advice. Ask non-wrestlefolk to watch them, ask what they think.š® Ask yourself: would I want to watch me wrestle after I watched this interview? Would I want to watch this my itself just for its own inherent entertainment value? Put them up online. Pšay attention to the feedback that Ā you get, or donāt get. Ask yourself: how can I get more eyes on this? How can I get the eyes already paying attention to be more engaged? Compile lists (now that you should know how) of ideas. Experiment with those ideas. Check mark the ones that work. Strikethrough the ones that donāt.
Ā
If you can: be creative; find your own voice. If you canāt:š steal wisely and widely.
Ā
***
Ā
Well, there you have a comprehensive list designed to make it foolproof, a comprehensive list for you to live your dream of making a living at your dream-job, or to realizše that itās notź¦ŗ your path, and to move on. Which brings us toā¦
Ā
The in-depth answer: Honestly, this sh** aināt for everybody. As strange as it may seem thereās aā huge learning curve to being able to costume-combat in such a skillful way that it makes people lose themselves in a richš world of emotional investment that may stick with them for a lifetime of monetary investment. It takes a much bigger investment on your part: your time, relationships, financial stability, Ā and your mental, physical, and emotional health. Letās break those down into another list, shall we:
Ā
Time - It takes a lot of ring time, travel time, and study time to get good at this. Even more though: youāre investing years of your life. A lot of us, nowadays, start very young (I began training as a teenager), and will spend a huge chunk of our lives in cramped, sweaty locker rooms, cars, airports, planes, rings, required after-show bars. If you donāt think hanging out with other wrestlers for hours and hours, renting cars and sharing them with others who may keep a different schedule than you, Ā dealing with airport traffic/security/delays/layovź¦ers/transfers/over priced food/anxiety-ridden lines/baggage claim/etc, cramped planes/middle-seats/limited-storage-space/etc, unforgiving, un-quality-consistent, sometimes flat-out-unsafe rings, and loud, someš§øtimes-smokey, sometimes dangerous hangouts, all while youāre already beat up, sounds like it could be a helluvan adventure that you could enjoy the journey of, being a wrestler-for-a-living probably isnāt a good dream for you pursue.
Ā
Relationships - Would you rather be spending most of your life with your family rather than all the stuff from the first paragraph? Does the idea of dealing with people who are, andā will treat you (often simultaneously) as: competition, road-family (with varying family dynamics; i.e. wrestlemom/dad/bro/sis), teammates, coaches, apprentices, potential money earners, weak links (potential money losers), bridges, roadblocks, etc., sound like too much? If you answered āyesā to either of the preceding questions: being a wrestler-for-a-living probably isnāt a good dream for you to pursue.
Ā
Financial Stability - Are you ready to haggle dollars over your health and precious moments of your finite life? Are you ready tā¦o get less than you agreed upon, and have to confront someone over it? Are you ready to invest a lot of money into ring gear, production equipment, paid-tryouts, little-money-in-exchange-for-an-opportunity gigs, road-expšenses, training time, etc., without the guarantee that you will ever make that money back, let alone see a profit off it? Are you ready to scramble to try to fill your schedule, so you (and anyone else you may be responsible for), can fill your belly (bellies)? Are you ready to invest in merchandise that may not sell? Are you ready to sit at a merch-table, knowing that itās your best chance of seeing a dining table, while large groups of people walk past it without buying a thing? Are you ready to earn big, at times, and lose big, at other times?Ā If you answered ānoā to any/all of the preceding questions: being a wrestler-for-a-living probably isnāt a good dream for you pursue.
Ā
Your Mental, Physical, and Emotional health - I saved the truly-worst for last.
Ā
Are you willing toź¦ put deep, long thought into matches, products, and promos, only to fail time after time? Are you willing to strain to understand the collective psychology of very different crowds from one night to the next, only to miss-read them time after time? Are you willing to pay close attāention to the social-hierarchy and etiquette of very different locker rooms, only to accidently piss someone off by not grasping them perfectly, time after time? Ā Ā
Ā
Are you willing to receive the impact of a low-speed car crash, every time you hit the mat? Are you willing to experience bigger crashes for more spectacular maneuvers? Are you willing to have your internal organs slam against each other, over and over š§again? Are you willing to receive blows to the head, over and over again? Are you willing to work sick? Are you willing to sit for hours in cars and planes, while suffering from injuries comparable to car crashes? Are you willing to bleed? Are you willing to only get a few hours of sleep and be expected to have high energy levels? Are you willing to hit the gym, day in and day out, when youāre already in pain? Are you willing to risk being paralyzed? Are you willing to die for your dream? In wrestling itās a very real possibility and it will serve you well to remember it.
Ā
Are you willing to live with regret? Are you willing to feel lonely, isolated, hated? Are you willing to feel the low end of the high that you achieš¼ve in the ring? Are you willing to deal with depression that comes with a concussion? Are you willing to deal with the sadness of rejection? Are you willing to deal with your own jealousy? Are you willing to deal with homesickness? Are you willing to deal with high stress opportunities? Are you willing to let yourself and others down? Are you willing to find it hard to be one way in the ring and another way out of it? Are you willing to deal with the relational consequences of finding it hard to āturn it offā? Are you wilą± ling to deal with getting old in a young-personās field? Are you willing to deal with being personally responsible for destroying someone else's health, livelihood, life? Ā
Ā
If š you answered āyesā to every single one of the preceding questions: congratulations, you have the heart required for beiāng a wrestler-for-a-living.
Ā
Best of luck in puąµ²rsuing your dream, and, pleasź¦ŗe, wish me the same, my kindreds, because weāre going to need it.
Ā
Let us make alāl that hard work, pain, and risk worth it by making momešnts, memories, and a difference, while we make a living, shall we?